Bogla Mama Jug Jug Jiyo
Releasing Date:- 24 Nov, 2023
Cinema:- Movie (Bengali)
Critic’s Rating:- 3.5/5
Avg. Users’ Rating:- 3.5/5
IMDb Rating:- …../10
Cast & Crew:-
Director:- Dhrubo Banerjee
Actor:- Ditipriya Roy, Rajatabha Dutta, Aparajita Adhya
Bogla Mama Jug Jug Jiyo Movie Story:-
When Kebu (Riddhi) goes to see his uncle Bogla (Kharaj), he becomes embroiled in a scenario that forces him and his pals to compete in a theater competition in order to save their reputation and life.
Bogla Mama Jug Jug Jiyo Movie Review:-
Bogla Mama Jug Jug Jiyo is a Bengali post-Independence literary movie that follows the adventure of Kebu, a younger boy who is going lower back to his village to fulfill his own circle of relatives however is forced into becoming a member of a theatre opposition in opposition to a headmaster of a faculty in a rival village. The movie makes use of the authentic tale as a framework whilst introducing new characters, subplots, and stories.
The first 1/2 of of the movie is mainly approximately placing the premises, introducing characters, and organising relationships. Witty dialogues and tight modifying hold the plot moving, however it is able to be tough to hold up with the exclusive names and relationships Bogla mama appears to have withinside the village.
Kharaj Mukherjee’s person evolves from an escapist and conman to a person with a plan and a cause. Riddhi Sen as Kebu is realistic and simple, however matters get complex while he realizes his love hobby Madhuja (Ditipriya) is likewise worried withinside the convoluted situation. The dating among Kebu and Madhuja is offset with the aid of using that of Bogla and Krishna (Aparajita Adhya), with effective dialogues and one-liners.
The movie has a good buy of chemistry among the pairs, with Rajatava Dutta as Felu Acharjee and Biswanath Basu, Sandip Bhattacharya, Ujan Chatterjee, and Naren Bhattacharya gambling precise fits. The dialogues are a large a part of the movie, with the second one 1/2 of presenting hilarious conditions and misadventures and bodily comedy and scatological humor that could enchantment to a more youthful audience.
Background sound and tune are nice, and Soumik Halder’s digital digicam captures the essence of the 1980s. However, the emotional scenes are stretched too much, and a few characters might have been given higher introductions. The first 1/2 of might have been tighter, and a few characters felt redundant past multiple scenes intended for laughs.
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